Hills Like White Elephants

Hills Like White Elephants Free Online Research Papers Ernest Hemmingway tells the story â€Å"Hills like White Elephants† nearly through pure dialog about two lovers conflicted over a serious decision. As the story progresses and through their tight conversation he reveals to us a great deal about their personalities, but leaves the details of the relationship between the two hidden. He gives his audience just enough information to find out the details of his story through detective work instead of coming outright by writing â€Å"Their relationship has suffered a great deal because of this decision†¦Ã¢â‚¬  etc. He leaves it up to his readers to basically solve the mysteries of his literature, which in return grasps our interest to his work even more. Perhaps this intentional way of writing is the reason for his name being so well known in the literate world. The first thing I thought of while reading the title of this short story was the symbolism of the White Elephant. As many would know, they do not exist unless they were born with an albino deformity. This of course is something unwanted because they burn easily from the sun’s UV rays, thus helping make the white elephant symbolize something unwanted. The same goes as well for humans. And according to www.wikipedia.com, â€Å"A white elephant is a supposedly valuable possession whose upkeep exceeds its usefulness, and it is therefore a liability.† This unwanted issue of our couple is hinted to us through the story as the burden of a possible child. The lack of communication throughout the story creates tension between the American and the girl, whose name is later on revealed to us as Jig. This is seen through many areas of our story such as when Jig talks about how everything tastes the same, and Everything tastes of licorice.† (pg 351). She does not come out and say what is exactly on her mind, but rather hints her frustration immaturely by throwing little fits or being short with her American lover. By being referred to as the girl and by her communicative actions we can assume she is very young, which would make this decision even harder for her. It is clear to us that both the American and Jig have differentiating opinions on what action to take about the abortion. The American refers to the abortion as â€Å"the operation† as if taking the crucial importance away from it. He’s more nonchalant about the ordeal and to him; it’s more of a simple decision than the girl is making it out to be. To him it’s very simple. He believes this annoyance in their lives can be removed and never thought of again. Jig believes that whether or not she keeps the baby their relationship will never be as it once was. â€Å"And once they take it away, (they) could never have it back.† (pg 352). The difference is that the American is unattached because the fetus is not inside him. Jig on the other hand is carrying the life of a possible new human being inside her and feels the natural bond between a mother and her unborn child. The American tries to convince her that the abortion is simple, while Jig feels otherwise. She is tired of traveling and ready to settle down and start a family of her own. She is bored with her current lifestyle and longs for motherhood. The only thing holding her back from this is the disapproval of her man. She is trying to make a more mature outlook on life by debating the possibilities of keeping her child. Once she has come to these conclusions, Ernest Hemmingway gave her a name, instead of calling her just the girl, symbolizing the importance of her becoming a more mature woman able to make wiser decisions. Ernest Hemmingway’s work is so wonderfully written and the way he narrates his stories makes them flow so smoothly. As you stated earlier in class today, every word he uses needs to be there. He does not give us extra to read, but gets straight to the point and makes you really think along the way. He gives us just enough details to spark our imagination and gets us to think while allowing us to get inside the heads of our two main characters. Research Papers on Hills Like White ElephantsThe Masque of the Red Death Room meaningsMind TravelHonest Iagos Truth through DeceptionThe Hockey GameCapital PunishmentThe Spring and AutumnWhere Wild and West Meet19 Century Society: A Deeply Divided EraStandardized TestingEffects of Television Violence on Children

Writing Wisdom Choosing Your Unique Style

Writing Wisdom Choosing Your Unique Style Writing Wisdom: Choosing Your Unique Style They say writing is like speaking and thinking. From the moment we learn how to form letters into words, we are introduced to the world of expressing ourselves. You can share your thoughts, ideas or what interests you with others poetically, metaphorically, or matter-of-factly (we took a little creative license with that turn of phrase). Pick a book, newspaper or magazine, and you will notice what’s written was done in a style that made the content interesting or boring. Thats why its important to pay attention to the words you write and how you present those words. Choosing the best writing style for your project can elevate your material to a â€Å"worthy read† or a classic. Writers not just professional novelists and historians but anyone who sits down and picks up a pen, need to select a style or form of writing they want to emulate. There are plenty of options to choose: Poems and lyrics: If we want to say something lyrically or rhythmically, whether to turn it into a song with music or say it with flow, this style of expression can be particularly meaningful. It can make language fun or moving, but takes talent, a quick wit, and a strong vocabulary. Tales and Novels: This is an exciting genre to explore. Tales and novels take you away from the current world to a place the author wants you to visit. It could be fiction or nonfiction, but the strength of the narrative lies in how much it involves its reader. Articles and blogs: The concept behind article or blog writing is to share a personal or professional story or experience to the reader. It can be an idea, product, event or a concept that the author wants to share with others and involve them in it by providing information and/or connecting with the reader. News Articles: News articles are a more focused form of writing where the content written informs others about something that happened or is happening. It is an actual event people might want to know about, or need to know about. This is done for the awareness and education of people. The emphasis of the writing is on â€Å"who, what, when, where, why and how.† Biographies and autobiographies: This form of writing delves into one’s own life or the life of someone else and shares the different stages, twists, turns, ups, and downs of it with others for entertainment and/or education. Writing is not limited to the list above there’s a whole new world to explore. Various forms and styles appeal to different authors and potential authors! If you want to explore your inner Dickinson, Hemingway, Shakespeare, Sande or Sartre, give us a

Child Labor and rights Research Paper Example | Topics and Well Written Essays - 1750 words

Child Labor and rights - Research Paper Example Despite this practice being illegal, it remains a rampant phenomenon. In some cases, it remains practiced openly (Alan 25). The international Labor Organization places the number of children aged between five and fourteen who are workers in one way or another at an estimated 211 million across the world. Over 120 million children work full time to support their poverty stricken families in places that remain considered as hazardous (Michel 9). It estimates that the Asia/Pacific region hosts the highest number of children laborers at over100 million. Majority of child workers exist in the Sub Saharan region of Africa. It gets estimated that over 26% of the child population that is equivalent to 50 million children get actively involved in work. The International Labor Rights Forum gets actively involved in lobbying to eradicate the practice of child labor all over the world. This gets done through shedding light on imported goods whose manufacturing process involve the participation of child labor, lobbying for creation of crucial policies and legislation governing child labor and by increasing heightened consumer action and awareness (Megha 10). It also promotes the strategies and policies of the International labor organization on child labor. The labor laws with regard to children are dynamic and vary across nations. These labor laws set the rules and regulations that govern workers and work related issues. The minimum age that laborers ought to be, often gets stipulated in these labor laws. Employers get restricted from hiring anyone who does not meet the minimum age requires by the law (Megha 10). This minimum age varies from country to country and also defines the work that gets permitted at that particular age. Countries that ratified the 1973 Minimum age Convention that got convened by the International Labor Organization adopted the minimum age as fixed between the ages of fourteen to sixteen. In the Unites states, Child Labor Laws set the

Organization Needs Assignment Example | Topics and Well Written Essays - 250 words

Organization Needs - Assignment Example â€Å"Wishes† are different from needs as they basically refer to desires, which are sought to meet an end product. â€Å"Means & Methods† is a technique through which a result can be produced (Kaufman, Rojas, & Mayer, 1993). Kaufman has underlined three basic level of needs: Mega level, which identifies a gap at the societal level, Macro level, which identifies a gap at the organizational level, and Micro level which is concerned with gaps within individuals or groups. The following case study is an example of a consultant who identifies an organizational need of Micro and Macro level. The company, Farradaw Solutions has been providing bespoke solutions through establishing road tunnels, and rail tunnels etc. The company faced challenges when the CEO introduced a new restraining clause in the employment’s contract. Employees started showing resisting behavior and they did not readily accept the change. Frustration grew among employees and even the most competent workers were showing unreasonable behavior and the organization progress started to decline. At this point, the personnel manager took initiative made changes in the organizational set-up but the results were still devastating. She asked a consultant to identify the gaps. The need analysis identified by the HR consultant affirmed that people resisted sudden change, showed ambivalent behavior (Kaufman, Watkins, & Leigh, 2001) when the new clause was introduced. Hence, the basic need, which was identified, was to arrange meetings to make the employees aware of the new changes in the company through ef fective communication so that they understand the reason why the clause was introduced in contracts and to carry out stress management programs for employees who are showing frustration due to pressures at

Walker Evans Essay Example for Free

Walker Evans Essay Walker Evans was born on November 3, 1903 to Walker Evans II and Jessie Crane. He belonged from a well to do family who had a good earning back ground. He was best known for his documentation on the Great Depression. Most of his work was done from a 810 inch Camera. He died on April 10, 1975. Walker Evans was both an excellent art photographer and a great documentary photographer when he was working for the FSA photography unit in the 1930s. Perhaps this resemblance between documentary and modernist art photography can be explained by an analogy: modernists apply the documentary impulse to the world of nature, objects, and architecture by finding fresh visions of things that have been ignored, devalued, or taken for granted just as documentary photographers present new insights about people who have been ignored, devalued, or taken for granted. (Rachleff, Melissa, 7-8) Of all the documentary photographers, Walker Evans attracted the greatest attention. The issue his critics were most concerned with was that of the style less style. This was appropriate because Evans strove for the appearance of stylelessness. It was a concept he had gotten from reading Flaubert during his time in Paris in the mid-twenties. Evans said he admired Flauberts realism and naturalism both, and his objectivity of treatment; the non-appearance of the author, the non-subjectivity. (Rachleff, Melissa, 9) He did not take Flauberts apparent objectivity literally, however, nor did he have any pretense to objectivity himself. What Flaubert showed Evans was that art could adopt a style that mimicked the objective manner of strictly utilitarian documents without sacrificing aesthetic taste? Evans could adopt a documentary style without giving up his standards of formal design. I cant stand a bad design or a bad object in a room, (Rachleff, Melissa, 11) he said, and when something was wrong, he changed it. He also occasionally arranged people into what appear to be candid compositions, and when shooting interiors, he often used a flash, although he disguised its effects in his prints. Evanss critics in the thirties were fooled. They were ready to believe that he had achieved a truly style less style. Lincoln Kirstein, who helped organize a major show of Evanss work at the Museum of Modern Art in 1938 and who also wrote the after word for the accompanying book, American Photographs, led the way in establishing the myth of Evanss stylelessness? The greatest photographers, Kirstein said, achieve a large quality of eye and a grand openness of vision that, rather than giving their work the mark of individual distinction, gives it a generalized look as if it were all the creation of the same person or even, perhaps, the creation of the unaided machine. (Lincoln Kirstein, 192) In Kirsteins estimation, Evans was precisely this kind of great photographer. He recognized the futility of developing emotional response for its own sake, and he saw the significance of focus matter. In fact, said Kirstein, it is the creative selection of subject matter that really counts in photography, and in Evanss work, the wave-length of his Kirstein went on to discuss the frontality that gives Evanss work such a powerful sense of objectivity: The most characteristic single feature of Evans work is its purity, or even its puritanism. It is `straight photography not only in technique but in the rigorous directness of its way of looking. All through the pictures in this book you will search in vain for an angle-shot. Every object is regarded head-on with the unsparing frankness of a Russian ikon or a Flemish portrait. The facts pile up with the prints. (Lincoln Kirstein, 192) In fact, there are a few angle shots in American Photographs, but the point is well taken. Evanss frontal views appear clinical. Other reviewers of American Photographs echoed Kirsteins assessment. Thomas Dabny Mabry, an associate director at the Museum of Modern Art who had helped organize Evanss show there, wrote, Seemingly he arranges nothing, changes nothing, implies nothing. . . . The purity of Evanss work is not only apparent in the straight, unadorned technique, but in the point of view. . . . [The photographs] are never staged. He shows in all his work a reverence for the inviolable history of the object before him. Martha Davidson described Evans as almost always coldly objective and his pictures as free from falsification, exaggeration or distortion. (Thompson, J. , 149) Kirstein acknowledged, in passing, the influence on Evans of Stendhal, Flaubert, Degas, and Seurat, and in so doing he hinted that Evans had deliberately created his style. But the brief suggestion of an artistic personality was quickly obscured by a return to the theme of unvarnished truth: The pictures of men and portraits of houses have only that `expression which the experience of their society and times has imposed on them. (Thompson, J. L, 192) Kirstein also saw a moral component in Evanss work. He described Evans as a member revolting from his own class, who knows best what in it must be uncovered, cauterized and why. The societal sores Evans saw were the same wounds of industrialization that Stieglitz and his circle had protested. Kirstein wrote of the exploitation of men by machinery and machinery by men, (Lincoln Kirstein, 193) and of the vulgarity of mass culture. Although this tone of social criticism is unmistakable in Evanss pictures, his book is not a call to action; it is not a book that points to problems that can be solved by abolition of the sharecropper system, the establishment of work projects or migrant labor camps. It is rather suggested a book that testifies to waste, selfishness, and internal cultural rot. Testifying to these ills was, in itself, a moral act. This was not a view shared by everyone. For Edward Alden Jewell, Evanss testimony appeared so clinically detached as to be purely aesthetic and not moral at all. Jewell apparently saw in Evans something akin to the aesthetic vision described by Roger Fry, a vision that takes in everything with complete equanimity, without moral responsibility, completely freed from the binding necessities of our actual existence. Any moral implications drawn from Evanss pictures, said Jewell, are the spectators, not Evanss. (Blinder, Caroline, 149) Lionel Trilling also addressed the issue of Evanss moral vision in a review of Let Us Now Praise Famous Men, a book of photographs by Evans and Agee that presented Evanss photographs without any captions, followed by Agees lengthy text detailing the lives of three families of white, Alabama tenant farmers. Trillings review of the book is one of the few that gives equal weight to Evanss photographs and Agees text. The question he asks regarding both is how is the middle class to feel about the underprivileged? Trilling concludes that Agee, motivated by guilt, ennobles and thus falsifies the image of his subjects. He is able to acknowledge some of their very obvious faults, such as their racism, but he cannot acknowledge any of the more subtle manifestations of meanness of spirit that Trilling is certain are present in these people, just as they are present in any group of people. Trilling does not suggest that Evans does reveal the sharecroppers meanness, but he judges Evans to be more truthful than Agee and more tasteful, by which he means more tactful, just, aware, and respectful. Trilling is unusual in that he claims no objective detachment for Evans: You cannot be cool about misery so intense, (Blinder, Caroline, 150) he writes. Unlike other critics, he sees that Evanss rendition of the truth is a product of his intense interaction with his subject and not the result of a clinical eye. Trilling confesses that he cannot analyze Evanss taste and cannot say what the morality of his vision is made of in technical and aesthetic terms, but he does, nevertheless, point out one significant aspect of Evanss moral vision. Referring to the portrait of Mrs. Gudger, which impressed him more than any other, Trilling explains that by allowing his subject to compose herself before the camera, Evans allowed her to defend herself against itas she would not have been able to do had the picture been candid-and in so doing, she gained dignity. Trilling wrote, With all her misery and perhaps with her touch of pity for herself, [she] simply refuses to be an object of your `social consciousness; she refuses to be an object at alleverything in the picture proclaims her to be all subject. (Blinder, Caroline, 151) Evans enhanced the sense of truth in his art not through the illusion of the style less style, but by acknowledging his presence, by showing his hand. In addition to the morality of clear vision, one can recognize in Evanss pictures a set of permanent symbols of the culture. Kirstein was not claiming for Evanss photographs the transcendent universality that Stieglitzs critics claimed for his pictures, but he did see Evanss work as transcending the moment. Evanss pictures as quintessential examples of synecdoche such that the single house, the single street, strikes with the strength of overwhelming numbers. The work is a monument to our moment. (Lima, Benjamin, 102) The pictures in American Photographs showed bumps, warts, boils and blackheads of the American physiognomy, and that these were the characteristics of a submerged fraction of the culture rather than representative of the whole. Williamson did not question the truthfulness of any of the individual pictures Evans published, but he did imply that Evanss choices of subjects revealed a political bias. But Williamsons has been a minority view. As John Szarkowski wrote in 1971, Beyond doubt, the accepted myth of our recent past is in some measure the creation of this photographer, whose work has persuaded us of the validity of a new set of clues and symbols bearing on the question of whom we are. Whether that work and its judgment was fact or artifice, or half of each, it is now part of our history. (Lima, Benjamin, 103) Bibliography †¢ Rachleff, Melissa, Scavenging the Landscape: Walker Evans and American Life. Journal Title: Afterimage. Volume: 23. Issue: 4. Publication Year: 1996. Number: 7+.

Joy of Cooking :: essays papers

Joy of Cooking A creative interest I have is cooking with pastries, seafood and poultry. Preparing food can be fun. All I need is just a little imagination and time. Pastries are dessert that are severed for special occasions and after a meal. Pastries are special due to the fact each one tastes and looks different. The creative format comes from the chef. Since I am the one who cooks in my house, I must prepare each dish tasteful and attractive. For example, I was thinking of a creative cake for my daughters&rsquo birthday. I decide to make her a choo choo train cake. The way I want to present this dish is by making it look like a toy train with zoo animals standing near by. The idea of this dish is to make the train look similar to the candy house in the story, "Hansel and Gretel". The first step was to add food coloring to the icing. She was excited. "Mommy, can I mix the colors?" Next, I decorated the cake board with grated coconut. I add green food coloring to the grated coconut. Jessica said, " Mommy, that looks like grass." Then, I decorated the carts of the train with different color icing. For example, I placed green, blue, and red icing on each of the carts. When I finished decorating the carts, I placed them on the black licorice train tracks. When I was finished with placing the carts on the track, Jessica and I arranged assorted candy all over the train. Another creative idea I had was to cook with the children in after school care at William Lehman Elementary. For example, I had decided to make an orange shake with them to celebrate Halloween. The first step I created, was to add orange sherbet ice cream. Next, I add cream soda to the float. When I was finished the shake, I placed one chocolate chip cookie inside of the float. Cooking creativy with seafood is another outstanding process. When cooking shrimp, I must prepare each shrimp to the procedure I want. For example, when preparing Chinese Fried Rice, I cook every item separately. For instance, this dish requires shrimp. This dish I peel each shrimp. Then I season the shrimp with soy sauce. Then, I stir fry them. When I cook this dish, I add everything in a bowl. Once the Chinese rice is cooked, I prepare the platter. For instance, I chop up green onions and place them around the Chinese Rice. Then I slice thin piece of oranges and locate then around the green onion.

Book Review on The Lucky One Essay

In the blink of an eye, something happens by chance – when you least expect it sets you on a course that you never planned, into a future you never imagined. What if someone had saved your life before you even met? How far will you travel to find love? Will you engage in a journey of love and luck that will change your life forever? Will you take the quests to happiness when you know to yourself that you will be taking risks and that the journey you will take is a trial-and-error thing? For him, that was all possible. He was a wonderful man. And when a man is that special, you know it sooner than you think possible. You recognize it instinctively; there will never be another one like him. He was Logan Thibault, a one of a kind man who sets out a journey to find a girl, who was believed to be his lucky charm. Meeting her embarks the roller coaster ride of love, luck, fortune, romance and big secrets. Literary Work and Comment The literary work of Nicholas Sparks is a brilliant one. He had narrated a story of love and romance, of luck and journey. But like any other stories, this depicts lives of people. This is less dreamy and is more realistic even at times pragmatic – in spite of the belief in a lucky charm. The story revolves around the life of a U.S. Marine during his third tour of duty in Iraq and the photograph he had found. That was a photo of a smiling young woman half buried in the dirt. His first instinct is to toss it aside. Instead, he brings it back to the base for someone to claim, but when no one does, he finds himself always carrying the photo in his pocket. Soon Thibault experiences a sudden streak of luck—winning poker games and even surviving deadly combat that kills two of his closest buddies. Only his best friend, Victor, seems to have an explanation for his good fortune: the photograph—his lucky charm. Back home in Colorado, Thibault can’t seem to get the photo—and the woman in it—out of his mind. Believing that she somehow holds the key to his destiny, he sets out on a journey across the country to find her, never expecting the strong but vulnerable woman he encounters in Hampton, North Carolina—Elizabeth, a divorced mother with a young son—to be the girl he’s been waiting his whole life to meet. Caught off guard by the attraction he feels, Thibault keeps the story of the photo, and his luck, a secret. As he and Elizabeth embark upon a passionate and all-consuming love affair, the secret he is keeping will soon threaten to tear them apart—destroying not only their love, but also their lives. Theme and Purpose This story is melodramatic and is more realistic. The author has always written stories where happiness and tragedy meet, full of little coincidences that may change people’s lives forever. The stories he wrote often are sentimental, since they are always about quests for love and romance and all about sadness as well. The author had presented us how a marine lived his life during the times when he was on a duty in Iraq. A lot of scenes in the novel were inspired with the timely events that had happened in Iraq back in 2008. During that time, that war in Iraq dominated the front pages of newspapers and is headlines on almost all television networks all over the world. But then, what the author is pointing out here is that stories about military men and personnel are often personal and focuses on their families or the struggles they faced upon returning home. Thus, the author wanted the readers to have a picture on their minds on what a marine officer is encountering mainly the preparations before the war, during the battle and after their duties. The author wanted us to be more aware on how a marine fought battles. He wanted his readers to experience, even by just reading his work, how to deal things when you are in a real battle in a vast battlefield. Bottom line of it all, the author wanted us to picture out strengths and determination from the main characters of the story. He wanted us to know and feel that pursuance on a certain thing you are into could give you a prosperous life. He is giving us an example, for us to reflect on ourselves, how to deal with problems. Problems are our enemies and every day we are dealing with it. We are living in a great battle field and for you to win and conquer it all, we must have strengths in ourselves and be determined enough to pursue everything we ought to do. We must believe that we can beat every problem that will come in our way. This are just spices in gaining a fruitful life ahead. Techniques Used The author had offered us a good story line. This story is surely be loved by avid romance novel readers most especially because of the beautiful plot he had created. The twists and turns of events are unpredictable that will surely make you crave for more of his works. The very first thing I had noticed was the flashback technique the author had used which is very common for all stories; using this may not let readers enjoy because they already know this kind of technique. So he had come up with a technique that you will notice from this certain novel and that is by using the voice of the characters. The author is writing in the limited third-person omniscient, thus allowing the reader to feel almost â€Å"first-person† closeness with the character, while still allowing all the characters to participate. Each chapter is told through the perspective of a single character. For example, in chapters labeled â€Å"Thibault,† only Thibault’s thoughts are included. Anything another character does is seen through his perspective, one that Thibault must only assume. If he’s talking to Beth, he can intuit what she’s thinking, but the readers are never allowed to know for sure. Until, of course, the next chapter arrives (perhaps labeled â€Å"Beth†) where she might reflect on what she’d actually been thinking. It’s a powerful form of writing and the author had used it effectively. He had overcome the challenge to make each character’s voice distinct enough to be immediately recognizable. In other words, the readers were able to â€Å"know† who’s talking, even if the chapter hadn’t been labeled at all. There was a learning curve associated with this. It made the development of the relationship between Thibault and Beth a bit more difficult (since it was only through one person’s eyes at any given time), but on the other hand, it made the characters themselves a bit easier to craft. And some voices were more difficult than others. Then, of course, there’s the challenge of keeping the story â€Å"linear.† That’s a bit tougher to do when writing with this form of literary voice. This kind of technique used by the author is somewhat confusing at first but as you go on reading the story, you will gradually understand and grasp the technique implied. It is so great that someone had done this kind of technique in writing because not all writers, regardless of what genre they are into, are good in narrating stories with this kind of technique. Opinion This is a great story indeed. Nicholas Sparks had written such a beautiful romance novel. His work is elevated by a very persuasive manner of storytelling. Readers are not expected to read his books because they are true but because they ought to be true. The story is very well plotted. The sequencing of events as well as the techniques used is very much commending. Sparks writes in such a way that it keeps you informed, seduced, captivated, and never bored. The chapters move along swiftly and it is written so well that you are not struggling to make it through each chapter. Each chapter would focus on a particular character and the chapter would be titled with their name: Thibault, Beth or Clayton. I loved that we got to delve into every characters lives. Everyone was explored with the same amount of back story. You never felt a lack of information. The storyline stays true and builds to an exciting climax. Sparks knows how to build a story and keep a reader anxiously turning pages. This is my first time to read a Nicholas Sparks novel and I surely bet this wouldn’t be the last because I had enjoyed reading it. The way he presented his work to his readers is so much appealing that you will surely crave for more.